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Before, During, After

Audiobook
1 of 1 copy available
1 of 1 copy available
When Natasha, a talented young artist working as a congressional aide, meets Michael Faulk, an Episcopalian priest struggling with his faith, the stars seem to align. Within months they are engaged. Shortly before their wedding, while Natasha is vacationing in Jamaica and Faulk is in New York attending the wedding of a family friend, the terrorist attacks of September 11 shatter the tranquility of the nation's summer. Convinced that Faulk is dead, Natasha makes an error in judgment that leads to a private trauma. A few days later, she and Faulk are reunited, but the horror of that day and Natasha's inability to speak of it inexorably divide their relationship. They move to Memphis and begin their new life together, but their marriage quickly descends into repression, anxiety, and suspicion.
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    • Publisher's Weekly

      June 30, 2014
      Set amid the chaos of 9/11, this novel from Bausch (Peace) is an adequate addition to the author’s oeuvre. After meeting at a fundraiser, D.C. congressional aide Natasha Barrett and disillusioned Episcopalian priest Michael Faulk fall into a whirlwind romance. Engaged, and intending to relocate to Memphis, the couple find themselves separated when the 2001 terrorist attacks occur: Michael is in New York City at a wedding; Natasha is in Jamaica, vacationing with a friend. As Michael frantically tries to escape the city, Natasha, fearing that her fiancé is dead, wanders the beach heavily intoxicated and is raped by a fellow vacationer. Once home in Memphis, Natasha keeps the assault to herself, and Michael grows frustrated with her new emotional distance as their wedding day nears. He suspects Natasha has been unfaithful, but is afraid to ask. A tale of trust and loss, the novel strives to fit Natasha and Michael’s personal problems into the greater story of America’s turmoil. Bausch excels at capturing the mood of Americans in the days and weeks following 9/11—equal parts camaraderie and suspicion—but only rarely engages the reader emotionally.

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  • English

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