March 16, 2015
At first glance, Amber and Violet have nothing in common. Amber, imprisoned at Aurora Hills juvenile detention center for her role in the death of her stepfather, spends her days dreaming of the momentary freedom she and the other inmates experienced when a summer storm knocked out power to their cells. Violet, a ballet dancer on her way to Juilliard, has a long, free life ahead of herâwere it not for the guilt drawing her toward Aurora Hills. Their connection comes through a third girl, Ori, who became Amber's new cellmate after the storm, and who was sent to Aurora Hills because of what she did to protect Violet. Suma (17 & Gone) interweaves past and present with a haunting sense of unease, drawing readers onward with well-executed suspense and the compelling voices of her two narrators. The occasional vagaries of the plot are more than redeemed by the strength of the prose, and a startling final twist brings the three girls to a satisfying, if unorthodox, kind of justice. Ages 14âup. Agent: Michael Bourret, Dystel & Goderich Literary Management.
Starred review from September 1, 2015
Gr 9 Up-In alternating narratives that ultimately converge in supernatural ways, two girls share a connection, though, ostensibly, their stories are separated by three years. Violet is an 18-year-old ballet dancer, recently graduated and soon to start at Juilliard. Amber is incarcerated at a juvenile detention center for allegedly killing her abusive stepfather. Tying them together is Orianna, Violet's best friend, who was found guilty of a double murder three years earlier and becomes Amber's cellmate at Aurora Hills. As their stories unfold, listeners learn the truth of what happened the night Orianna was arrested and the grisly tragedy that unfolded at Aurora Hills shortly after she arrived. Dual narrators bring this haunting tale of guilt and innocence to life. Georgia King gives Violet's voice an edge that perfectly conveys the sense of superiority she displays. Sandy Rustin utilizes a more matter-of-fact voice that reflects Amber's observational nature and her tendency to use first-person plural, speaking for the inmates of Aurora Hills as a whole, which, paradoxically, both obscures and foreshadows future events. VERDICT This psychological thriller also explores the rigorous and competitive world of ballet, inequities in the criminal justice system, and life in a juvenile detention center; it is utterly engrossing right up until the shocking conclusion.-"Amanda Raklovits, Champaign Public Library, IL"
Copyright 2015 School Library Journal, LLC Used with permission.
Starred review from January 15, 2015
The intertwined stories of two teenage girls: a convicted killer and a Juilliard-bound ballerina. Amber's an inmate at Aurora Hills Secure Juvenile Detention Center, with a story to tell about the night the doors all opened at the prison. Violet's a dancer bound for New York City and artistic success. The girls have secrets, and each takes the chance to let tidbits of truth slip into her narrative, each using her own unique and identifiable voice in alternating chapters. Amber rarely speaks only for herself, identifying almost exclusively with the other prisoners. "Some of us knew for sure," she solemnly explains, speaking collectively. "Some of us kept track of days." Violet, on the other hand, is deeply self-absorbed, worried over the three-years-past death of her incarcerated best friend but only for how it affects her and her chance at Juilliard. As the girls' stories unfold, it becomes increasingly clear that Amber's and Violet's musings occur three years apart-yet are nonetheless intimately connected. The wholly realistic view of adolescents meeting the criminal justice system (with a heartbreaking contrast portrayed between the treatment of a wealthy girl and that of her poor multiracial friend) is touched at first with the slimmest twist of an otherworldly creepiness, escalating finally to the truly hair-raising and macabre. Eerie, painful and beautifully spine-chilling. (Supernatural suspense. 15-17)
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Starred review from April 1, 2015
Grades 9-12 *Starred Review* We were alive. I remember it that way. We were still alive, and we couldn't make heads or tails of the darkness, so we couldn't see how close we were to the end. Spoken by Amber from inside the secure juvenile-detention center that has been her home for years, these chilling words foreshadow her terrible secret, the one she can't even admit to herself. As Amber's story of how Orianna, the Bloody Ballerina, became her cell mate unfolds, another ballerina takes the stage with her own dark tale to tell. Eighteen-year-old Violet, a Juilliard dancer, is haunted by a secret relating to the time her best friend, Orianna, killed two girls, went to prison, and died. Intensity and dread build as the girls' stories coil and uncoil around each other, revealing the sinister truth in a startling, fantastical final twist. Suma excels in creating surreal, unsettling stories with vivid language, and this psychological thriller is no exception. Along the way, Suma also makes a powerful statement about the ease with which guilt can be assumed and innocence awarded, not only in the criminal-justice system but in our heartsin the stories we tell ourselves. A fabulous, frightening read.(Reprinted with permission of Booklist, copyright 2015, American Library Association.)
Starred review from March 1, 2015
Orianna Speerling -- the so-called "Bloody Ballerina" -- is just fifteen when she is convicted of murdering two rival dancers. A month after her sentence begins, all forty-two girls interned at the Aurora Hills Secure Juvenile Detention Center are dead -- victims of an unexplained mass killing. Ori's story is gradually revealed through the eyes of two unreliable narrators. Violet is Ori's affluent best friend, a fellow dancer who knows more about Ori's crime than she'll ever admit -- especially if the truth might jeopardize her future at Juilliard. Amber is an inmate at Aurora Hills who pushes the library cart from cell to cell -- quietly waiting out a long sentence and keeping secrets of her own, such as having visions of girls she's never met. In lyrical, authoritative prose, Suma weaves the disparate lives of these three girls into a single, spellbinding narrative that explores guilt, privilege, and complicity with fearless acuity. Amber's voice is particularly affecting -- she narrates from an eerily omniscient first-person plural perspective that speaks powerfully to the dehumanizing realities of teen imprisonment. The twisting, ghostly tale of Ori's life, death, and redemption is unsettling and entirely engrossing. jessica tackett macdonald
(Copyright 2015 by The Horn Book, Incorporated, Boston. All rights reserved.)
Starred review from March 1, 2015
Gr 9 Up-This haunting and evocative tale of magical realism immerses readers in two settings that seem worlds apart. The book is told in alternating first-person voices from the perspective of two teenagers: lonely Amber, who at age 13 was convicted of murdering her abusive stepfather and sent to Aurora Hills, a juvenile detention facility, and Vee, an insecure yet ruthlessly ambitious Julliard-bound ballerina. Through Vee's and Amber's recollections, readers learn about talented, kind-hearted Ori, Vee's former best friend and a dancer herself, who after being convicted of a heinous crime is sent to Aurora Hills, where she becomes Amber's roommate-and where soon after a strange tragedy occurs. Though the plotting of this taut, gripping suspense leans heavily on ghosts and murder and will easily attract teens, this is no mere thriller. The prose is mesmerizing, laced with visceral, gorgeous figurative language, and draws subtle parallels between the disciplined, constricting world of ballet and the literal prison in which Amber and Ori find themselves. Believable and well developed, Vee and Amber have strong, unforgettable voices that ring true. Suma's unflinchingly honest depiction of the potentially destructive force of female friendship and skillful blending of gritty realism with supernatural elements is reminiscent of Laurie Halse Anderson's Wintergirls (Viking, 2009), and the eerie mood she evokes is unnervingly potent. VERDICT A powerful story that will linger with readers.-Mahnaz Dar, School Library Journal
Copyright 2015 School Library Journal, LLC Used with permission.