Starred review from July 7, 2008
Using free verse as her vehicle, Hopkins (Crank
, Glass
) takes readers on a harrowing ride into the psyches of 16-year-old identical twins Kaeleigh and Raeanne, both of whom are racing toward self-destruction. The girls' family appears picture-perfect. Their father is a prominent judge, their mother is running for Congress, and both girls do well in school. But ever since an accident, “Mom doesn't love anyone./ She is marble. Beautiful./ Frigid. Easily stained/ by her family. What's left/ of us, anyway. We are corpses.” Raeanne seeks escape in sex and drugs; Kaileigh binges and cuts herself. Brief, gutsy confessions reveal a history of sexual abuse and emotional neglect, and it's not clear that both girls will survive it. Hopkins's verse is not only lean and sinuous, it also demonstrates a mastery of technique. Strategically placed concrete verse includes a poem about revenge shaped like a double-edged sword; in another, about jealousy, the lines form one heart reflecting another, until a rupture breaks the symmetry at the bottom. Often, the twins' entries mirror each other, on facing pages: although used differently in the two poems, the same key words are set off in corresponding stanzas (“think./ How/ different/ life./ could be” reads one set of key words). Those for whom Uncle Vampire
means something will anticipate the still-breathless climax; all others, including most of the target audience, will be shocked. Ages 14–up.
August 1, 2008
Gr 9 Up-Identical teen twins Kaeleigh and Raeanne share a picture-perfect California life that is rank with dark, dangerous secrets under its surface. Their mother, who is running for Congress, leaves them at home with their father, a district court judge who is addicted to liquor and OxyContin. Daddy regularly molests Kaeleigh, using her as a stand-in for his absentee wife, and controls every aspect of her life. Raeanne sees every detail and reacts to her father's favoritism by acting out sexually and getting high on pot whenever possible. Written in free verse from alternating viewpoints, "Identical " tells the twins' story in intimate and often-graphic detail. Hopkins packs in multiple issues including eating disorders, drug abuse, date rape, alcoholism, sexual abuse, and self-mutilation as she examines a family that "puts the dys in dysfunction." The tension builds slowly and subtly, erupting in a shattering climax of psychological disintegration and breakthrough that reveals the truth about the twins and their father's own childhood secrets. Gritty and compelling, this is not a comfortable read, but its keen insights make it hard to put down."Joyce Adams Burner, Hillcrest Library, Prairie Village, KS"
Copyright 2008 School Library Journal, LLC Used with permission.
January 1, 2009
Identical twins Raeanne and Kaeleigh alternate first-person accounts of life in an abusive household. Hopkins's verse-novel style effectively showcases her talent for word choice and form. However, the plot's melodrama verges on exploitation as the girls experience explicitly described incest, drug abuse, alcoholism, bulimia, promiscuity, S&M, cutting, suicide, and mental illness. Surprise revelations in the final episodes complicate the conclusion.
(Copyright 2009 by The Horn Book, Incorporated, Boston. All rights reserved.)