January 1, 2018
Gr 9 Up-Set in the same world as Seraphina and Shadow Scales, Hartman's new book is full of dragons, "quigults," and quests. Tess, Seraphina's younger half sister, is a curious girl. From trying to learn how babies are made to sneaking out of the house to attend scientific lectures, she is constantly straining against the boundaries of a very strict patriarchal society. After getting "in trouble" at a young age, she devotes her life to ensuring that her twin sister will make a favorable marriage, thus securing their family's fortunes. Using alcohol to dull her pain eventually causes things to unravel and Tess runs away from the volatile family drama. Out on the road, Tess makes discoveries both personal and scientific that lead her to find peace within herself and a place in the larger world. The author skillfully weaves Tess's current adventures and her backstory, slowly revealing the rape, pregnancy, and subsequent death of her child-which led to her current pain and bitterness, while simultaneously describing her evolution into a strong female protagonist. Hartman tackles complex issues such as gender identity, rape culture, and a sex-positive outlook without including graphic sex scenes. Unfortunately, there are so many lessons to be learned, and they are so pervasive, this book reads more like an updated version of an allegorical fairy tale than like an epic fantasy adventure. The slow pacing will deter many of the genre's fans. VERDICT Additional purchase for larger libraries where character-driven fantasies are in demand or where the author is popular.-Sunnie Scarpa, Wallingford Public Library, CT
Copyright 2018 School Library Journal, LLC Used with permission.
Starred review from November 1, 2017
Grades 9-12 *Starred Review* In her triumphant return to the world of Seraphina (2012), Hartman introduces Tess Dombegh, one of Seraphina's stepsiblings. After a shattering fall from grace, Tess has tried to be the dutiful daughter to her critical mother. She may never be good, but maybe she can be good enough to be forgiven. When Tess drunkenly ruins her sister's wedding night, she's almost relieved to run away. Disguised as a boy, she seeks oblivion on the road; instead, she's invited to help find a legendary serpent by her childhood friend, a quigutl (dragon subspecies). Along the way, Tess runs afoul of robbers, works as a manual laborer, poses as a priest, and struggles to make peace with past trauma. First in a duology, this is a perfect example of a familiar fantasy trope being given new dimension through empathetic characters and exquisite storytelling. At first appearing bitter and self-pitying, Tess reveals compassion, courage, and resilience on her journey, which is as emotional and spiritual as it is physical. This achingly real portrayal of a young woman whose self-loathing takes help to heal is a perceptive examination of rape culture rare in high fantasy. Not to be ignored, this is also a fascinating road trip adventure. Absolutely essential. HIGH-DEMAND BACKSTORY: The publisher knows how much readers and critics loved Seraphina, so their heavy promotion plans and an author tour should stir up plenty of buzz.(Reprinted with permission of Booklist, copyright 2017, American Library Association.)
July 1, 2018
In this worthy companion to �cf2]Seraphina�cf1] and �cf2]Shadow Scale�cf1], Seraphina's human half-sister Tess, disguised as a boy, embarks on a picaresque journey with a quigutl (half-dragon) friend. Tess refashions herself, finally free from the misogynistic teachings of her upbringing and the burden of her mistakes. There's much richness in this fantastical tale's nuanced, accessible expression of adolescent naiveti and sorrow, and Hartman offers sturdy, compassionate wisdom along with intelligent invention.
(Copyright 2018 by The Horn Book, Incorporated, Boston. All rights reserved.)
March 1, 2018
Hartman returns to her fantastical medievalesque world in this worthy companion to Seraphina (rev. 7/12) and Shadow Scale (rev. 3/15). Tess is Seraphina's human half-sister, and a twin. She is already considered a troublemaker when she has an affair with a scholarly cad, becomes pregnant, and cedes her rank as eldest to her younger, purer twin, Jeanne, in the hope that Jeanne can secure a favorable marriage and keep their struggling family afloat. Tess's baby does not survive; the cad runs off; and Tess's reputation threatens the marriage her sister is poised to make. In a fit of resentful self-pity, Tess disguises herself as a boy and takes to the road with a quigutl (half-dragon) friend. Their picaresque journey becomes a refashioning for Tess, as she frees herself from the misogynistic teachings of her upbringing and the burden of her mistakes. There's much richness in this tale's nuanced, accessible expression of adolescent naivet� and sorrow, and in Hartman's magical imagery and practical themes. She offers up sturdy, compassionate wisdom along with intelligent invention?and the promise of more to come in a sequel. deirdre baker
(Copyright 2018 by The Horn Book, Incorporated, Boston. All rights reserved.)
Starred review from November 15, 2017
Hartman returns to Goredd with the tale of another young woman who breaks the rules in search of herself. There are three Dombegh sisters: naughty Tess, perfect twin Jeanne, and famous, talented older sister Seraphina (of Seraphina, 2012, and Shadow Scale, 2015). Now 17, haunted by past mistakes, immersed in self-denial and the need to follow "proper" behavior, white Tess--who once befriended lizardlike Quigutl and secretly attended lectures--is miserable. After drunkenly punching her new brother-in-law at Jeanne's wedding, Tess dresses as a boy and takes off. She travels across Goredd and Ninys in search of a Quigutl prophecy and her own purpose in a sometimes-episodic tale narrated in descriptive, sharply observant third-person prose. Angry, bitter Tess has reason for her feelings but is not always easy to walk with, and the slow reveal of her past makes for a compelling read on the ways in which girls--in the quasi-Renaissance Goredd and also in the real world--are taught to take blame on themselves even when others are culpable. Fortunately, the Road has answers ("walk on"), and by the end Tess has faced her past and can look forward to another volume of adventure, discovery, and changing her world.Like Tess' journey, surprising, rewarding, and enlightening, both a fantasy adventure and a meta discourse on consent, shame, and female empowerment. (dramatis personae, glossary; not seen) (Fantasy. 13-adult)
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