Starred review from June 6, 2011
Ibbotson (Journey to the River Sea) turns stereotypical portrayals of fairy tale figures on their head in this hilarious account of a princess's rescue. The fun begins when a clan of displaced magical creaturesâa hag, a troll, and a wizardâis recruited to save young Princess Mirella from her captor, the "dreaded Ogre of Oglefort." However, when the team, accompanied by an orphan boy, Ivo, arrives at Oglefort Castle, they quickly learn that it's the tired and sickly ogre who needs liberation. In an attempt to avoid the horrible fate of marrying a "nitwit" of a prince, Mirella has been browbeating the ogre, demanding he change her into a bird. After the truth is sorted out, the rescuers devise new goals that include nurturing the ogre back to health and warding off intrudersâlike the regiment of soldiers led by Mirella's
fiancé. Fans of the author, who died in 2010, will find a gratifying mix of fresh material and traditional Ibbotson goodies: plenty of humorous twists, clever dialogue, an all's well that ends well conclusion, and, of course, cameo appearances by ghosts. Ages 8â12.
July 1, 2011
A motley group hesitantly forms a princess-rescuing team and ends up in the last place they expected.
In a post–World War II London still recovering from the Blitz lives a Hag who's been dislodged from her Dribble (a water meadow where "the damp air is so soft"). At a meeting for Unusual People, three partially-asleep norns assign the Hag, a troll, a self-doubting wizard and a open-hearted orphan to go to "an island as big as England and Scotland and Wales all put together" to rescue Princess Mirella from a flesh-eating ogre. They make the journey, befriend Mirella and take over the ogre's castle while the text calmly upends conventions and expectations: Mirella's no damsel-in-distress after all, and the ogre's more petulant and beleaguered than flesh-hungry. From Hag to ogre to misinformed norns to a previously-human gnu, Ibbotson's characters are non-glamorous and wistful but all the more human for it. Although soldiers try to kidnap Mirella, the real challenge for these mixed-age protagonists is sadness. The plot never flags or becomes sentimental; humor and gross-out tidbits (medicine made from used foot-washing water) pop up amid delicious turns of phrase (a dead salamander looks "like a very troubled banana which had died in its sleep"). Humility trumps grandness here; meanwhile, the castle becomes a home.
An offbeat, matter-of-fact journey from displacement to an idyllic homestead. (Illustrations not seen.) (Fantasy. 8-11)
(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)
August 1, 2011
Gr 3-5-In post-World War II Britain, as their lands have been taken over by modern industry, hags, trolls, wizards, and other magical beings have been forced to move to the cities and find menial jobs. The one bright spot in an otherwise drab existence is the annual Summer Meeting of Unusual Creatures. The Hag of the Dribble, who runs a boardinghouse in the middle of London, is beside herself when her familiar, a tired old toad, won't go. Her young neighbor Ivo has an idea-he will serve as her familiar so she can attend the meeting and he can get away from the orphanage. The meeting at the luxury hotel starts off routinely enough, but the Norns-the three Fates-unexpectedly appear to announce that the summer task will be rescuing Princess Mirella from the terrifying Ogre of Oglefort, and the Hag and Ivo, along with their troll and wizard companions, find themselves charged with slaying him. Surprises are in store, though, including the fact that that the princess is there voluntarily to escape a planned marriage (she wants the ogre to turn her into a bird), and the ogre is suffering from severe depression. Adding to the complications, Mirella's parents send an army to rescue their daughter, and the Norns enlist the help of some bad-tempered ghosts when they feel that the Hag and her group are not moving quickly enough. Ibbotson's fans will find plenty to like with her signature quirky characters, twisty plot, and happy resolution that underscores the many forms friendship can take.-Kim Dare, Fairfax County Public Schools, VA
Copyright 2011 School Library Journal, LLC Used with permission.
July 1, 2011
Grades 4-6 After years of boring predictability at a cheerless orphanage, Ivo longs for adventure. Along with a homesick witch, a displaced troll, and a reluctant wizard, he takes on a daunting quest: to slay the Ogre of Oglefort and rescue Princess Mirella. But Mirella is no captive. After fleeing from a repugnant suitor at home, she has come to beg the ogre to turn her into a bird; however, the despondent ogre has troubles of his own. Slowly, the characters emerge from misery into happiness. Ibbotson has taken beings from folklore and mythology and tweaked them into more fallible, amusing, and occasionally disgusting characters. Even when detailing horrors, the writing has a droll, ironic wit that lights up the narrative. The rescue mission may have gone awry, but the dreaded castle slowly becomes a haven for these amiable misfits as the story unfolds and moves toward its unconventional but wholly satisfying conclusion.(Reprinted with permission of Booklist, copyright 2011, American Library Association.)
January 1, 2012
A hag, troll, wizard, and orphan are told to slay an ogre who holds a princess captive. Turns out the princess is with the ogre by choice: she wants him to change her into a bird so she needn't marry a foolish prince. Ibbotson's playful humor, pungent turns of phrase, and sturdy friendliness toward her child heroes suffuse the fantasy.
(Copyright 2012 by The Horn Book, Incorporated, Boston. All rights reserved.)
July 1, 2011
Ibbotson's playful humor, pungent turns of phrase, and sturdy friendliness toward her child heroes suffuse this novel (her second-to-last book), a fantasy that has its share of dramatic conflict but at heart celebrates the value of a peaceful home in which "people...[do] not want to be changed but...[are] content to be themselves." A displaced Hag and troll, a hapless wizard, and Ivo, an orphan whose look is "so attentive, so eager and intelligent" that he passes as an Unusual Creature, are told to slay a dreaded Ogre who holds a princess captive. But it turns out that Princess Mirella is with the Ogre of her own choice: she wants him to change her into a bird so she needn't marry foolish Prince Umberto. The Ogre doesn't want to transform her; he's a grieving widower who just wants to join his wife in her grave mound. Ivo, Mirella, and their magical friends become grief counselors, castle-and-garden renovators, and, briefly, a fighting force whose arsenal includes a soup tureen, roof tiles, and plagues of frogs, warts, and the Great Itch. In this one-darn-thing-after-another story, Ibbotson champions children's courage and intelligence and, in fantastical mode, illuminates the insidious evil of the overly interfering. deirdre f. baker
(Copyright 2011 by The Horn Book, Incorporated, Boston. All rights reserved.)
July 1, 2011
A motley group hesitantly forms a princess-rescuing team and ends up in the last place they expected.
In a post-World War II London still recovering from the Blitz lives a Hag who's been dislodged from her Dribble (a water meadow where "the damp air is so soft"). At a meeting for Unusual People, three partially-asleep norns assign the Hag, a troll, a self-doubting wizard and a open-hearted orphan to go to "an island as big as England and Scotland and Wales all put together" to rescue Princess Mirella from a flesh-eating ogre. They make the journey, befriend Mirella and take over the ogre's castle while the text calmly upends conventions and expectations: Mirella's no damsel-in-distress after all, and the ogre's more petulant and beleaguered than flesh-hungry. From Hag to ogre to misinformed norns to a previously-human gnu, Ibbotson's characters are non-glamorous and wistful but all the more human for it. Although soldiers try to kidnap Mirella, the real challenge for these mixed-age protagonists is sadness. The plot never flags or becomes sentimental; humor and gross-out tidbits (medicine made from used foot-washing water) pop up amid delicious turns of phrase (a dead salamander looks "like a very troubled banana which had died in its sleep"). Humility trumps grandness here; meanwhile, the castle becomes a home.
An offbeat, matter-of-fact journey from displacement to an idyllic homestead. (Illustrations not seen.) (Fantasy. 8-11)
(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)