May 9, 2016
Reynolds (All American Boys) aims for a younger audience with the story of Genie and Ernie, two Brooklyn boys spending a month with their grandparents in North Hill, Va., while their parents try to mend a frayed marriage. Eleven-year-old Genie is most concerned about the lack of Internet access: how will he look up answers to the questions that constantly come to him? Ernie, nearly 14, is happy enough when he meets Tess, a neighbor who gives them the lowdown on North Hill, but neither brother has any idea that their stay will involve picking peas in the hot sun and, for Genie, keeping secretsâboth his and those of his blind grandfather. Genie's efforts to fix his mistakes (including accidentally killing one of his grandfather's beloved birds), his realization that the Web doesn't have all the answers, and Grandpop's struggle with guilt and forgiveness after he pushes Ernie to participate in a dangerous family tradition create a multifaceted story that skillfully blends light and dark elements while showing children and adults interacting believably and imperfectly. Ages 10âup. Agent: Elena Giovanazzo, Pippin Properties.
July 1, 2016
Reynolds (The Boy in the Black Suit, rev. 3/15; with Brendan Kiely, All American Boys, rev. 11/15) delivers an emotionally resonant middle-grade story of an African American family working to overcome its tumultuous past in hopes of a better future. Not-quite-teenager Genie Harris has a notebook full of questions, ranging from the superficial ("Why are swallows called swallows? did people used to eat them?") to the introspective ("Why am I so stupid?"). But there is no question as to why he and his older brother Ernie find themselves far from their Brooklyn home with their Grandma and Grandpop in rural Virginia: their parents are "maybe/possibly/probably divorcing" and are "figuring it out" in Jamaica. Warmly told in the third person, the novel follows Genie through a series of tragicomic blunders (breaking a family heirloom; the inadvertent poisoning of Grandpop's pet bird); minor triumphs (finding a neighbor with internet access!); and many heartfelt discussions with Grandpop, who is blind and fiercely independent, that often lead to startling familial revelations (his great-grandfather's suicide; his uncle Wood's untimely death during Desert Storm). Long-standing feelings of guilt, anger, and resentment reach a boiling point -- and history appears to repeat itself -- when Grandpop forces Ernie to shoot a gun, with unfortunate results. Genie musters up enough courage to ask his grandfather if he will ever let go of his tragic history; Grandpop's response of "maybe" feels like a victory. A novel in the tradition of Curtis's The Watsons Go to Birmingham -- 1963 (rev. 3/96), with deft dialogue, Northern/Southern roots, and affecting depth. patrick gall
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