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How to Be Idle

A Loafer's Manifesto

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Yearning for a life of leisure? In 24 chapters representing each hour of a typical working day, this book will coax out the loafer in even the most diligent and schedule-obsessed worker.

From the founding editor of the celebrated magazine about the freedom and fine art of doing nothing, The Idler, comes not simply a book, but an antidote to our work-obsessed culture. In How to Be Idle, Hodgkinson presents his learned yet whimsical argument for a new, universal standard of living: being happy doing nothing. He covers a whole spectrum of issues affecting the modern idler—sleep, work, pleasure, relationships—bemoaning the cultural skepticism of idleness while reflecting on the writing of such famous apologists for it as Oscar Wilde, Robert Louis Stevenson, Dr. Johnson, and Nietzsche—all of whom have admitted to doing their very best work in bed.

It’s a well-known fact that Europeans spend fewer hours at work a week than Americans. So it’s only befitting that one of them—the very clever, extremely engaging, and quite hilarious Tom Hodgkinson—should have the wittiest and most useful insights into the fun and nature of being idle. Following on the quirky, call-to-arms heels of the bestselling Eat, Shoots and Leaves: The Zero Tolerance Approach to Punctuation by Lynne Truss, How to Be Idle rallies us to an equally just and no less worthy cause: reclaiming our right to be idle.

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    • Publisher's Weekly

      April 11, 2005
      When your alarm clock jolts you awake in the morning, do you wish you could just lie in bed, read a book, sip a cup of tea and be idle all day? Hodgkinson, founder of the Idler
      magazine, does. And in this book he presents 24 essays defending life's idle pleasures, which are, he says, vilified by our modern society. He meditates on sleeping in, fishing, smoking and drinking, and even waxes poetic about the hangover. The whole book is soaked with nostalgia for the turn-of-the-century English gentleman's lifestyle; Hodgkinson defends his arguments by quoting Jerome K. Jerome, G.K. Chesterton and, of course, that icon of British foppery, Oscar Wilde. Although billed as tongue-in-cheek witticisms about the idle life, the book fails to maintain the comic tone. In his chapter on the evils of the 9-to-5 job ("wage slavery," as the author calls it), Hodgkinson cites Heinrich Himmler as a spokesperson for the defense of work, tacitly comparing shuffling papers in a cubicle for 40 hours a week to the horrors of Auschwitz. The book gives tantalizing anthropological insights into society's views on those lazy habits that the author so enjoys, but the viewpoint is so antiquated and condescending toward the poor slobs who must actually go to work every day that readers will often find themselves staring aghast at the page. B&w line illus. Agent, Cat Ledger.

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  • English

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