A Spot of Bother

September 4, 2006
If the reader were to give a voice to Haddon's protagonist, it would sound just like Keating's. George is an introverted, mild-mannered 61-year-old newly retired Brit who wants to ignore the emotional undertow of his conventional, middle-class family. Without trying to act out the characters, Keating clearly delineates each: George's wife (who is having an affair), his daughter (who is about to embark on another disastrous marriage), her fiance (whose cockney accent highlights class antagonisms) and his son (who fears bringing his male lover to the wedding). To avoid the family fracas, George focuses on his eczema-the "spot of bother" of the title-convinced that it is cancer and that he will die soon. Keating tries to establish a lighthearted tone, but Haddon's descriptions of the characters' misery, especially George's rapid descent into madness, are too graphic to be comical. Tone aside, Haddon writes well and Keating reads well, so many listeners will enjoy this contemporary British family portrait in which everyone will live relatively happily ever after-if only they can learn to communicate with one another. Simultaneous release with the Doubleday hardcover (Reviews, July 17).

July 17, 2006
Recent retiree George Hall, convinced that his eczema is cancer, goes into a tailspin in Haddon's (Curious Incident of the Dog in the Night-Time
) laugh-out-loud slice of British domestic life. George, 61, is clearly channeling a host of other worries into the discoloration on his hip (the "spot of bother"): daughter Katie, who has a toddler, Jacob, from her disastrous first-marriage to the horrid Graham, is about to marry the equally unlikable Ray; inattentive wife Jean is having an affair—with George's former co-worker, David Symmonds; and son Jamie doesn't think George is OK with Jamie's being queer. Haddon gets into their heads wonderfully, from Jean's waffling about her affair to Katie's being overwhelmed (by Jacob, and by her impending marriage) and Jamie's takes on men (and boyfriend Tony in particular, who wants to come to the wedding). Mild-mannered George, meanwhile, despairing over his health, slinks into a depression; his major coping strategies involve hiding behind furniture on all fours and lowing like a cow. It's an odd, slight plot—something like the movie Father of the Bride
crossed with Poe's "The Tell-Tale Heart" (as skin rash)—but it zips along, and Haddon subtly pulls it all together with sparkling asides and a genuine sympathy for his poor Halls. No bother at all, this comic follow-up to Haddon's blockbuster (and nicely selling book of poems) is great fun.