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Fisherman's Blues

A West African Community at Sea

Audiobook
0 of 1 copy available
0 of 1 copy available
NAMED A BEST BOOK OF THE YEAR BY THE CHRISTIAN SCIENCE MONITOR AND PASTE MAGAZINE
An intimate account of life in a West African fishing village, tugged by currents ancient and modern, and dependent on an ocean that is being radically transformed.

The sea is broken, fishermen say. The sea is empty. The genii have taken the fish elsewhere.
For centuries, fishermen have launched their pirogues from the Senegalese port of Joal, where the fish used to be so plentiful a man could dip his hand into the grey-green ocean and pull one out as big as his thigh. But in an Atlantic decimated by overfishing and climate change, the fish are harder and harder to find.
Here, Badkhen discovers, all boundaries are permeable—between land and sea, between myth and truth, even between storyteller and story. Fisherman's Blues immerses us in a community navigating a time of unprecedented environmental, economic, and cultural upheaval with resilience, ingenuity, and wonder.
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    • AudioFile Magazine
      Anna Badkhen immerses herself in the rhythms of life in Joal, a fishing village in Senegal, laying bare the doubtful future for artisanal fishermen because of industrial fishing fleets that have swept up everything in their wake, leaving empty oceans. The prose is lyrical and almost mournful, and it teems with energy, but the author's narration does not pulse with the same sense of life. Badkhen interviews the fishermen and their families, goes to sea in their small boats (despite women being bad luck), and bears witness to the constant waiting for the return of fish. But her singsong cadence, slow pace, and even tone undermine the energy of the audiobook and fail to maintain the listener's attention. A.B. © AudioFile 2018, Portland, Maine
    • Publisher's Weekly

      Starred review from November 20, 2017
      Journalist Badkhen (Walking with Abel) delivers an evocative, hauntingly beautiful narrative of life in Joal, a fishing village in Senegal. As she embeds herself within boat crews and frequents the seaside gazebos where the fishermen spend their time on shore, Badkhen lucidly describes the rhythm of the village’s daily life (hauling the catch, building a pirogue), as well as its challenges. Between overfishing, illegal foreign ships, and climate change, Joal’s catch is a tenth of what it was a decade ago. Acutely observant, Badkhen meticulously documents Joal’s cuisine (po’boys with murex sauce); lore (spells for catching fish, genies); and special rituals, such as the sacrificial feast to prevent the sea’s anger. She captures the fishermen, their wives, children, dreams, feuds, and banter, and her writing is descriptive and poetic. Images flash before the reader: the barefoot fishwives “in bright multi-layered headwraps and embroidered velvet bonnets” rushing down to greet the catch of the day, the ancient mounds of shells “among the brackish channels that vein the mangrove flats between the Petite Côte and the mouth of the Gambia River,” and a “murmuration of weavers” flying out of an acacia tree. This is a moving tribute to a traditional way of life facing enormous change.

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  • English

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